Studiolo presents itself as a collection of colors and materials, a giant canvas in constant transformation. In the history of mural painting associated with architecture, the original purpose of a painting was not to expand space, but rather to transform one material into another and, therefore, the appearance of its construction. Later in history, spatial trompe-l’œil appeared, where fictional enlargements of the room can be seen. This project is created as a graphic laboratory of textures, materials and ideas.